In Place 50

 

Quietly hazel roots explore duff

twitching past rotting cottonwood

to sip snowmelt as it rushes past.

old brain trustingly mimics hazel

 

 

With the little dog, she investigates the nearby river. Water flows over stones, never the same water twice, but also never the same stones twice. A hazel tree attends hazel-ness. An osprey hammers the water surface and carries away surprised protein.

Fish and dragons live in the water without being aware
And they move around with the currents and the waves.
Since from the beginning they never left it, they neither gain nor lose,
If there were no delusions, then whence might enlightenment come?

 

-- Collected Poems of Muuija (1178–1234) tr. Whitfield and Park

In Place 49

Once a month a silent retreat

with sangha, otherwise

every day no other sound

than wind, or rain, or creek.
 




The old woman's current community meets monthly at a rural home an hour's drive from her farm, to spend the day in group zazen and a few other practices. She's torn between her habitual hut practice and the notion that Buddhism requires company -- what even are precepts for in the middle of nowhere, alone? But every beloved poem by Han Shan, or Stonehouse, or Ryokan convinces her she's doing real work. As does the rain, as does the moon behind clouds.


    Movement isn’t right and stillness is wrong
    and the realm of no-thought is confusion 
    instead the Patriarch didn’t have no-mind in mind
    any thought at all means trouble
    a hut facing south isn’t so cold
    chrysanthemums along a fence perfume the dusk 
    as soon as drifting clouds start to linger
    the wind blows them past the vines

    -- Stonehouse (Shiwu) tr. Red Pine

In Place 48

Mornings roll past, putting shadows 

in motion. Darkness caresses each

object; each object caresses light.

The old woman's eyes adjust

 

One of her children, long grown, has left behind a celebratory birth quilt; she spreads it as an altar cloth. In a shallow raku dish she places maple seeds. Moving them from one dish to another, she offers them as "incense;" a mouse accepts the offering. Shadows of ash and cottonwood chase one another as yet another day, amazingly, for no reason she can discern, brightens.

Absolute truth is emptiness of all dharmas,
Hence there is no reason to be obsessed with things.

-- Collected Sayings of Preceptor Baegun (1299–1375) tr. Whitfield and Park