Showing posts with label Shitou. Show all posts
Showing posts with label Shitou. Show all posts

Monday, April 24, 2023

Song of the Grass-Roof Hermitage

 Song of the Grass-Roof Hermitage (Commentary here)

by Shitou Xiqian, tr. 
Leighton/Tanahashi

I've built a grass hut where there's nothing of value.
After eating, I relax and enjoy a nap.
When the hut was completed, fresh weeds appeared.
Now it's been lived in, covered by weeds.
The person in the hut lives here calmly,
not stuck to inside, outside, or in between.
Places worldly people live, he doesn't live.
Realms worldly people love, she doesn't love.
Though the hut is small, it includes the entire world.
In ten feet square, an old man illumines forms and their nature.
A Mahayana bodhisattva trusts without doubt.
The middling or lowly can't help wondering;
Will this hut perish or not?
Perishable or not, the original master is present,
not dwelling south or north, east or west.
Firmly based on steadiness, it can't be surpassed.
A shining window below the green pines-
jade palaces or vermilion towers can't compare with it.
Just sitting with head covered all things are at rest.
Thus, this mountain monk doesn't understand at all.
Living here he no longer works to get free.
Who would proudly arrange seats, trying to entice guests?
Turn around the light to shine within, then just return.
The vast inconceivable source can't be faced or turned away from.
   Meet the ancestral teachers, 
   be familiar with their instruction,
bind grasses to build a hut and don't give up.
Let go of hundreds of years and relax completely.
Open your hands and walk, innocent.
   Thousands of words, 
   myriad interpretations
are only to free you from obstructions.
If you want to know the undying person in the hut,
(rit.) Don't separate from this skin bag here ... and ... now. 

Sunday, April 19, 2020

In Place 62

 

With apologies to Shitou 

 

I've built a fiberglass-roofed hut
where there's nothing to take away.

After eating,
I conk out.

When the hut was completed,
it was a children's playhouse.

It had long been abandoned —
covered by blackberries.

Sometimes I live at the hut,
trying out Nagarjuna.

No need to go shopping.
No movies, no popcorn.

Though the hut is nine feet square,
Nowhere is there a place not here.

Within, an old nun
gawks out the window.

With her "instinctive knowing what to do"
she trusts being/time.

The neighbors can't help wondering —
what's going on in there?

For now, the old crone is present,
losing track of Meaning.

Knowing she does not know up or down,
she looks straight ahead.

A wide window below green cottonwoods--
five star hotels can't compare with it.

Just nestling in her zero-g chair
all things are settled.

Thus, this mountain nun
doesn't squint at circumstances.

Living here she no longer
hankers for escape.

Who would proudly arrange place settings,
trying to lure guests?

Doing as a Buddha does
cannot not be what a Buddha is.

Thusness can't be
looked toward or away from.

Meet the lineages and spiritual friends,
absorb their guidance.

Salvage fence boards to build a hut
and don't give up.

When your begging bowl breaks,
which it will, relax into your day.

Open your face
and walk, de-stressed.

Thousands of teachers
babble, but the message isn't garbled.

If you want to benefit
from dwelling in your hut,

Don't expect to be polishing that begging bowl
forever.

 


 

Sunday, May 1, 2016

In Place 28

The young-old monk, watcher
over infants and mad crones,
gets a late spring offering —
handful of vinca blossoms





Jizo once greeted visitors to the homestead, but lost his head more than once as water hoses were hauled around the garden. In his new location at the hut he is a hermit, but has never left off his practice. The stone behind him was raised from the dry creek bed the preceding summer.

Firmly based on steadiness, it can't be surpassed.
A shining window below the green pines --
jade palaces or vermilion towers can't compare with it.

-- Shitou, "Song of the Grass-Roof Hut" in Taishō shinshū daizōkyō (1924-33) reprinted in Hongzhi, Cultivating the Empty Field, 2000, tr. Leighton and Yi Wu

 

Friday, August 1, 2014

In Place 6

She's thrown a heavy old fir beam

from bank to bank, replacing a bridge 

long gone, and cut new trail right 

through old undergrowth: back door




An intimidating thicket of Himalaya berry canes of course grew up beneath the cottonwoods along the dry wash (a respectable creek in rainy season) but with time and a pair of secateurs such things can be pushed back, if a path is wanted.


If you don’t understand the way right before you,
how will you know the path as you walk?

-- Shitou (tr. Soto-Shu Liturgy Conference)

Tuesday, July 1, 2014

In Place 4

An impromptu kitchen appears

rice with powdered vegetable leaves

sips tea while watching

rain slant into cottonwoods




The old woman cut down and firewooded five cottonwood trees here in 2009 because hawks were using them to rest in while counting chickens. Some thirty young trees sprouted from the stumps and roots, and are now the "woodland" associated with the hut. Their trembling leaves are wonderful teachers. The steamer handles rice, barley, oats, potatoes and leafy vegetables with ease, providing a measure of day-to-day independence from the homestead, which is a couple of hundred feet away.


     Though the hut is small, it includes the entire world.

     -- Shitou (tr. Leighton and Tanahashi)