Once a month a silent retreat
with sangha, otherwise
every day no other sound
than wind, or rain, or creek.
The old woman's current community meets monthly at a rural home an hour's drive from her farm, to spend the day in group zazen and a few other practices. She's torn between her habitual hut practice and the notion that Buddhism requires company -- what even are precepts for in the middle of nowhere, alone? But every beloved poem by Han Shan, or Stonehouse, or Ryokan convinces her she's doing real work. As does the rain, as does the moon behind clouds.
Movement isn’t right and stillness is wrong
and the realm of no-thought is confusion
instead the Patriarch didn’t have no-mind in mind
any thought at all means trouble
a hut facing south isn’t so cold
chrysanthemums along a fence perfume the dusk
as soon as drifting clouds start to linger
the wind blows them past the vines
-- Stonehouse (Shiwu) tr. Red Pine
Wednesday, October 24, 2018
In Place 49
Saturday, October 20, 2018
In Place 48
Mornings roll past, putting shadows
in motion. Darkness caresses each
object; each object caresses light.
The old woman's eyes adjust
Absolute truth is emptiness of all dharmas,
Hence there is no reason to be obsessed with things.
-- Collected Sayings of Preceptor Baegun (1299–1375) tr. Whitfield and Park
Thursday, September 20, 2018
In Place 47
In late summer this work began;
in another summer she brings pears
and apples to sit and pare
while watching the sun go down
It
could be objected that the old woman having a retirement income is
hypocritical in presenting the half-hermit life as if it were a thing.
Her response is that she's suspended by her obligations between the way
of a householder and the way of a hermit. Yet there can be value in
reflection wherever one is.
Do
not look back on the past, nor anticipate the future, but take whatever
is brought forth by the present and endeavor to dispose of it as best
you can.
—Hung Ying Ming, Discourses on Vegetable Roots (tr. Isobe)
Friday, September 14, 2018
In Place 46
In spring, dandelion and nettle tea,
in summer, mint and blackberry tea,
in fall, chicory and mulberry tea,
in winter, fir needle and dried vegetable tea
She
sees that with the cultivation of a little knowledge, one understands the
earth is inclined toward generosity. She reciprocates by treading
lightly -- has gardened without chemicals for fifty years, and, to the
extent possible for her, used hand tools. She knows she has not been as
faithful to these principles as she could have, and that this has not
dented the world's problems, but when she goes from garden to zazen,
seldom feels that nagging sense of something left unaddressed. It is in
the present moment, and only there, that there can be this simplicity.
Sacred
refers to that which helps take us (not only human beings) out of our
little selves into the whole mountains-and-rivers mandala universe.
--Gary Snyder, The Practice of the Wild 94
Saturday, September 1, 2018
In Place 45
Food and drink, free for the labor,
are the proper business
of humans; she strives to make
gratitude her main possession
She grows more vegetables than she needs and puts herself in a position to give some away, thus paying her debt of gratitude.
The Buddhist path itself is understood as something that brings gratitude and joy.
-- Paula Arai, Women Living Zen 151
Monday, August 20, 2018
In Place 44
Plant vegetables; this provides
exercise and sharpens observation
as well as making food and tea
available to you and others
We cultivate ourselves indoors and we cultivate ourselves outdoors, hoe in hand.
A
couple of beds inside the fence, of kale, chard and potatoes mostly,
keep the old woman busy in her tiny kitchen. As she waters the garden,
small birds dart through the spray to catch a drop.
We
empty our minds in the hall for creating buddhas, where some naturally
open their flower of awakening in this monastic garden in the hills.
-- Hongzhi, quoted by Dogen in Eihei Koroku, 250 (tr. Leighton and Okamura)
Wednesday, August 1, 2018
In Place 43
Inspired by her stairs,
the old woman undertakes
to clear more stream bed;
instant rock garden
Between
the stones she has tucked comfrey, mint, and mosses. In drought, she
waters the stones, hopefully keeping the “garden” alive till winter.
Plans and events seldom agree
Who can step back doesn't worry
We blossom and fade like flowers
We gather and part like clouds
—Shiwu (Stonehouse, tr. Red Pine)
Wednesday, July 25, 2018
In Place 42
In summer she, grunting, hauls
large stones from the dry wash
up to the hut to make steps
for those who keep to a path
She had no idea she could move anything so heavy. Samu with appropriate sweat.
Back by the stone bridge, mind returns.
Where now the things that troubled me?
— Han Shan (tr. Red Pine)
Sunday, July 15, 2018
In Place 41
Year round, here, she can make
yard tea; always something green:
fir needles, blackberry leaves, nettles --
easier in high summer
Hiding from the westering sun, she hangs shades from the eaves.
Yunyan was boiling some tea.
Daowu asked who he was making it for.
Yunyan answered, "nobody special."
"Why doesn't he make it for himself, then?"
-- Soto Zen Ancestors in China, Mitchell, 72.
Sunday, March 18, 2018
In Place 40
Horses and bison tread
past her south window at dawn;
she pulls back the east shade.
how many days without sun?
The
few mornings the old woman has awakened at the hut instead of the farmhouse
have been notable for a certain quiet sublimity, especially in winter,
with the small creek roaring nearby. One could say that in the exurbs
one can experience something of what Chinese hermits go to remote
mountains for, but then, one should be able to practice anywhere without
making distinctions, yes?
By blue waters, in green
hills are places to stroll quietly; near valleys, under trees are places
for clearing the mind. Beholding impermanence, do not ignore it, for it
encourages the mind to search the Way.
-- Keizan, "Instructions on How to Do Pure Meditation" (tr. Nearman)